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Theme 6: Symbiosis

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Living with Climate Change

Our natural world is one of immense beauty and our responsibility. Respecting nature is to recognize how impervious nature seems to our understanding but not to our actions. The World Bank Group recognizes that climate change, and its associated poverty and inequality, are the defining issues of our age. No country today is immune from the impacts of climate change. According to Bank research, climate change could drive 216 million people to migrate within their own countries by 2050, with hotspots of internal migration emerging as soon as 2030 and spreading and intensifying thereafter. Climate change could cut crop yields, especially in the world’s most food-insecure regions. At the same time, agriculture, forestry, and land use change are responsible for about 25% of greenhouse gas emissions. The agriculture sector is core to addressing the climate challenge. And, though reducing emissions and becoming more resilient are possible, they require major social, economic and technological changes.

The artists that you meet through this page are grappling with this very reality through their artwork. An artist from Benin uses the mythical and theatrical to capture film-life photographs of nature at its most dramatic. He raises the role of mythical storytelling, as a cultural tradition that can be leveraged to help better educate communities on managing climate change. An artist from Senegal uses the natural world—dirt, stones, and sticks—in his actual paintings to pay homage to the world that inspires everything he does. And another crafts intricate assemblages that weave an academic and encyclopedic understanding of nature with a felt one, showcasing natures impact on one’s head and heart. Through their provocations of and with nature, these artists are pushing us to imagine a greener future.

Artists Featured

  • afr-waa-Ball.jpg
    Mauritania

    Oumar Ball is a sculpture artist who grew up in Bababé, an area in Mauritania by the edge of the Senegal River marking the border with Senegal. On his artistic journey he states, “My father, the photographer and painter Issa Ball, has been a silent teacher to me. As a child, I watched him develop black-and-white photographs of our daily life, as well as make cheerful paintings. When I grew up, he encouraged me to study painting in Senegal, and this is how painting became my second specialty. Like all children in the world, I loved to play. The vast territory, as I then imagined my village, was my kingdom where I spotted iron wire bent and flattened into shapes resembling lettering, scrap metal, colorful cardboard and plastic, from all of which I made toys. Goats, horses, birds, people, and carts that populated this miniature world amused me.”

  • afr-waa-Diack.jpg
    Senegal

    Aliou Diack was born in 1987 in Sidi Bougou, in the Mbour region of Dakar, Senegal. He received his artistic training from the National School of Arts in Dakar. His higher education was distinguished by his exploration into the use of nontraditional mediums, those beyond graphite. This led him to harness his fascination for nature, flora, and fauna, incorporating the very material of the natural world into his pieces. Diack’s works maintain a sober quality, representative of a primitive and instinctive universe. He has shown in galleries and exhibitions in London, New York, Lagos and Paris.

  • afr-waa-Monteiro.jpg
    Benin

    Fabrice Monteiro is an Agouda, the descendant of Brazilian slaves with Portuguese names. His background is multicultural: he was born in Belgium, grew up in Benin, and now lives and works in Dakar, Senegal. Monteiro worked as a model for just about a decade before becoming a photographer himself in 2007, after meeting the New York based photographer Alfonse Pagano. Photography came naturally to him. As a professional model, he had developed an awareness of the complexity of composition, lighting and gesture within an image. Now behind the lens, Fabrice Monteiro creates images that sit at the intersection between photojournalism and fashion photography. 

  • afr-waa-Pereira.jpg
    Cabo Verde

    Zé Pereira was born in the city of Mindelo in St. Vicente, Cape Verde in 1964. He is a nature photographer who portrays his country in its most diverse socio-cultural aspects. His works are featured in magazines, books by various authors, CD covers and on various tourist sites; he is also the author of the large-scale scoreboard at the Amilcar Cabral International Airport on the island of Sal. He has a degree in Public Relations from the School of Business and Governance of University of Cape Verde and a certificate in photography. He is also an amateur writer and poet.

  • afr-waa-Wambeti.jpg
    Central African Republic

    Dieudonné Sana Wambeti developed his interest in art at a young age. When he was 14, he apprenticed with Michel Ouabanga, an established artist whose naïve realist style and focus on forests and the natural environment remains a major influence on his work. Wambeti takes his mentors’ style to another level by infusing his interpretation of everyday scenes with traditional myths, folklore and spiritualism, as well as realistic portraits of local people. Wambeti’s paintings celebrate the abundant forest and mineral wealth of his native country.

  • afr-waa-Wildenboer.jpg
    South Africa

    Barbara Wildenboer is a visual mixed media artist who lives and works in Cape Town, South Africa. With gallery representation in Cape Town, Johannesburg, London, Lisbon and Luanda, Barbara is an international artist focused on using her creative practice to dig deeper into the mysterious nature of reality and our beliefs about it.

    Barbara completed a BA(Ed) with majors in English literature, psychology and pedagogics at the University of Pretoria in 1996 followed by a Bachelor of visual arts from UNISA in 2003. In 2007 she obtained her Masters in Fine Art with distinction from the Michaelis School of Art at the University of Cape Town in South Africa. From 2009-2016 Barbara worked as the head of the Photography Department at the CityVarsity College of Creative Arts, where she lectured on theory and discourse and the history of photography.

    She has been awarded international residencies, such as the UNESCO Aschberg Residency (Jordan, 2006), the Al Mahatta Residency (Palestine, 2009) and the Red De Residencias Artisticas Local (Colombia, 2011), the Rimbun Dahan Artist Residency (Penang, Malaysia, 2013), L’Ateleier Sur Seine (Fontainebleau, France, 2017) and Hannacc (Barcelona, Spain, 2018).

Selected Artworks

  • afr-waa-Diack.jpg
    Aliou Diack, b. Senegal.

    Prophétie

    2019, Mixed media on canvas
  • afr-waa-Wildenboer.jpg
    Barbara Wildenboer, b. South Africa.

    Moksha Patam

    2020, hand-cut analogue collage.
  • afr-waa-Wambeti.jpg
    Dieudonné Sana Wambeti, b. Central African Republic.

    Sans défense

    2020, oil on canvas.
  • afr-waa-Monteiro.jpg
    Fabrice Monteiro, b. Benin.

    The Prophecy Untitled #8, 2013.

    © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812008H.
  • afr-waa-Ball.jpg
    Oumar Ball, b. Mauritania.

    Marabou (Volatile series)

    2020, recycled metal.
  • afr-waa-Pereira.jpg
    Zé Pereira, b. Cape Verde.

    Ubuntu Soul

    2019, digital photograph.